My current book project, Watching Weimar Dance, concerns physicality and meaning making at the intersections of dance and Weimar culture, focusing on Valeska Gert, Oskar Schlemmer, Kurt Jooss, Anita Berber, Mary Wigman, and the Tiller Girls. I am also interested in contemporary European performance, issues of engaged spectatorship, bodies and technology, problems of historical retrieval, recreations and reinventions, and exile. I am committed to multiple possibilities, both implicit and explicit, for working between dance practice and dance research.

I thrive on good discussions. Between 2007-09, I was co-convener for the Intermedia Research Group, a graduate-faculty working group sponsored by the Cambridge Centre for the Arts, Social Sciences, and Humanities (CRASSH). Currently, I am involved with the Association of Theatre in Higher Education’s Performance Studies Focus Group, and I am on the editorial board for Dance Theatre Journal.

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